Whether you’re in the studio or out in the field, URSA Broadcast will give you incredible image quality, accurate skin tones and vibrant colors that are far superior to cameras costing ten times more. URSA Broadcast is two cameras in one! The compact design, familiar controls and broadcast camera features are ideal for ENG style shooting and vital for working quickly when you’re trying to capture breaking news. Two Cameras in One Switch instantly between live work or field shooting! No other broadcast camera is more flexible and more affordable! Plus URSA Broadcast is perfect for web broadcasters because it works with both older after market HD lenses and inexpensive photo lenses. It records onto regular SD cards and uses the same common file formats found on broadcast media management systems and most NLE software. URSA Broadcast is two cameras in one, an incredible field camera for ENG and programming work, as well as a professional studio camera! URSA Broadcast is perfect for traditional broadcasters because it uses the lenses and batteries you already own, and it also eliminates weird media cards and file formats found on traditional cameras. Introducing URSA Broadcast, the world’s most affordable and most flexible professional broadcast camera.
The world’s most affordable and flexible professional broadcast camera for HD and Ultra HD! Use it for production work or add a Blackmagic URSA Studio Viewfinder to turn it into a live studio camera with remote control and built in color corrector!
In addition to traditional video shooting mode, extended video mode gives you the dynamic range of digital film in a broadcast friendly format for stunning shots that can go straight to air without needing color correction. URSA Broadcast features dual SD UHS-II and CFast card slots for non stop recording.
URSA Broadcast is an advanced Ultra HD broadcast camera that works with your existing HD or Ultra HD B4 lenses so you can shoot HD today and switch to Ultra HD when you’re ready! You get professional broadcast controls, built in ND filters, 12-bit Blackmagic RAW, and 10‑bit or 12‑bit ProRes and DNxHD recording.
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